Republic Records’ Wendy Goldstein has helped shape the growth and direction of Ariana Grande, The Weeknd and Julia Michaels, all who have operated in different sounds within the pop sphere to huge success. The Jonas Brothers‘ success this year is no surprise considering the A&R masterminds behind it. Sculpted by pop’s best creatives ( Greg Kurstin, Louis Bell, and Shellback to name but a few), the record succeeds in adopting a 2019 pop sound while staying true to group’s roots.
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The fresh, funky album is free of the cliches you might expect from the typical reunion record, and instead manages to successfully play catch-up with the evolution of the Top 40 sound since the group’s last project. While a Jonas Brothers reunion could’ve been played as an easy cash grab amidst our ever-growing reboot culture, ‘Happiness Begins’ is anything but a gimmick. We can definitely catch BLACKPINK coming to our area very soon as they ready their next project, and we can’t wait to see what they have in store for us next. Songs like “Kick It” show a sexier & sassy side of the group over a rocking hip-hop production, while “Hope Not” sees the group trading their action-packed trademark sound for a more intimate affair that exhibits their soothing & vulnerable vocals. With adrenaline-filled tracks such as “Kill This Love” & “Don’t Know What To Do,” this EP is the perfect project to jumpstart any party at any time. K-Pop’s biggest girl group were a force to be reckoned with this year with the release of their electrifying EP, ‘Kill This Love.’ Accompanied by the smash lead single of the same name, the girl group composed of members Jennie, Rosé, Lisa & Jisoo took the Western hemisphere by storm when they became the first Korean group to perform at Coachella and broke YouTube’s record for the most views in 24 hours for “Kill This Love” with over 56.7 MILLION. Perhaps Beyoncé’s attempt to push African artists into the mainstream was too big of a mission for even the queen of the music industry, but it certainly didn’t go unappreciated.
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charts (see: “BROWN SKIN GIRL,” “FIND YOUR WAY BACK” and “MY POWER”). Featuring a slew of producers, writers and performers hailing from Africa, Beyoncé succeeds here in representing African culture with tracks that genuinely feel like they could breakthrough on the U.S. The album was surprisingly buried in the general consciousness after free-falling to #21 on the chart the next week.ĭon’t let the numbers fool you, though, as ‘The Gift’ proved to be one of the most pure and joyful pop records this year. Debuting at #2 on the Billboard 200 with 54,000 copies sold, ‘The Lion King: The Gift’ was perceived by and large as a commercial disappointment considering the massive promo for the film remake and Beyoncé‘s cultural cachet. It may take a few years or so for audiences to fully comprehend our greatest sin of 2019. Continue reading below for our staff’s top 25 picks: With the dust settling on 2019, Pop Crave looks back at the most impressive albums, EPs and mixtapes of the year. And with 2020 upon us, 2019 also blessed us with the budding brilliance of our next decade of superstars such as Megan Thee Stallion, Kim Petras and Kehlani. This stat is indicative of the music narrative of 2019 at large, one that saw artistic peaks for alternative favorites like FKA Twigs and Lana Del Rey as well as emergence of A-list stardom in Billie Eilish, Lizzo and Ariana Grande. It seems only fitting that 2019 closes out this tremendous decade of music the same way it kicked off: with female domination.įor the first time in this century, the year-end Billboard Top 200 list saw the top four spots occupied exclusively by women, a far cry from 2017 in which the entire top 22 were dominated by either men or soundtracks. Pop Crave contributors: Drew Howard, Raul Mencia, Sami Baker and Shawn Westcott
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